I Love It feat. Théâtre des Deux-Rives, 30 boul. The Enigma Variations is impressive for its vivid characterizations of the personages portrayed. Female candidates born after 1 January ; Male candidates born after 1 January Let us start with a Khorovod not very far away from the introduction of the work: He loves reading and writing and hopes one day to get published.
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Celebrated director Sébastien Dhavernas also demonstrates a range of talents and has more than 30 productions to his credit. Missa Brevis; Stephen Eisenhauer: In the past this group would always push the envelope with each recording,, and this new one takes a couple of more steps ahead. Eventually, the Boehm model gained an unwavering following in France through its adoption by leading players in French orchestras, notably through Paul Taffanel who was the first to attain great success with the silver flute. Opéra bouffe du Québec.
La fin est tout bonnement géniale. Et cela peut être très raffiné 2e introduction.
La prise de son est curieuse: Globalement, on sent le chef roué qui court un peu après la partition, en en maîtrisant néanmoins bien des aspects. Ce sera la seule version de concert de la confrontation avec une de Boulez. Revenons sur terre et en studio. II est plus intéressant, avec une vraie conception.
Le son manque de naturel, ça sent le multi-micros trafiqué, mais ce sera certainement une des versions les plus lisibles. Introduction très vivante du II. Excellent version, but one is less concerned than with Monteux. Beautiful introduction, a little confused per moments, it is then a little heavy, Jeux des cités until the end of the 1st part came better.
The 2nd part is better than inbut all is a little heavy and static. As always with Chicago, it is not the height of orchestral elegance, but it is so effective! And it can be very refined 2nd introduction. In short, it is transporting from the beginning to the end. In short nothing crippling, there are that and there beautiful solos, beautiful sequences, but it is rather boring whereas there was such an organic life in his Petrushkabut with New York….
I remember a radio journalist who told, flabbergasted, that certain passages had been assembled bar by bar for this recording… More intentions at the beginning, more percussions, it is almost as slow as Boulez and hardly becomes animated, except for the Jeu du raptbut it is a little external.
The sound recording is curious: The medium part is quite slow it is one of the slowest versions overall.
All in all, one feels the old conductor who runs a little after the score, while controlling nevertheless many aspects. The slowest version up to now, whereas Le Sage is one of the fastest, thus it is a little impulsive. Beautiful intro of II, superb tone control, the remainder is very well, superb percussion.
A rather elegant version, but without surprise. It will be the only version barto,i concert of this survey. He gave on June 6 a rather uninteresting lecture and 10 days later with the same orchestra a version as personal as accomplished… This is the readingwhich shows the more mystery from the very beginning and which supports the interest by a deaf tension in spite of the slowness of the tempi and the absence of any demonstrative will.
That does not want to be, it is. Let us return on the ground and in studio. Tilson Thomas made work of pedagogy in the series keeping scorewith in particular the Rite. Nothing much to point out in I, it is clean, distinguished, with very neat phrasings, it is a little mannered, but the orchestra realiize the sound recording are superb.
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II is more interesting, with a true conception. Sound is too much edited but this ives a clear lecture. Excellent rythm, coherence, superb tones, the last part of I is just superbe, elegant and eloquent. Maybe less dionysiac as with Ozawa but splendid netherveless.
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II i ntroduction is also very lively. The rest is a little bit too much slow. Score is a mix between a fantastic I and a less enthousiastic Bartolo.
This is oen of the most clear and analytic versions, even dazzling, as for the sound strates management. This analytic reading, thus aided by the sound engineer, works very well indeed. Maybe not the most inspired version, but the conducting technique and the intrumental realization are outstanding 7,5 Suite: A mon sens, les deux versions slban plus intéressantes de Boulez sont le live à Paris en et la version Clevelandcar elles sont opposées: Les versions studio de Ades et Cleveland sont à mon sens beaucoup moins intéressantes….
Votre adresse de messagerie ne sera pas publiée. Prévenez-moi de tous les nouveaux commentaires par e-mail. Prévenez-moi de tous les nouveaux articles par e-mail. Ce site utilise Akismet pour réduire les indésirables. En savoir plus sur comment les données de vos commentaires sont utilisées. Nicolas Slonimsky a mis en l la traduction anglaise des titres donnés aux différentes sections: Boulez — et Kubelík Le but étant de sélectionner 5 eralize 6 versions marquantes, à comparer ensuite de façon plus approfondie.
Les notes données le sont à fin de sélection future. On va parcourir tout cela dans un joyeux désordre. Tableau des versions avec temps et notes: Les versions retenues pour une confrontation finale seront tealize ayant obtenu 7,5.
Les versions notées 7 sont généralement excellentes néanmoins. If I consider Schoenberg and Debussy at least as important for the beginnings of the modern music, it realjze to me false to say that it is not a revolutionary work the language is certainly modal or polytonal and that barroli did not have of influence on composers later on.
André Boucourechliev distinguished in the Rite of Spring Khorovods dances and Russian songs inspired by ancient GreeceDanses de la Terre, Danse sacrale, Jeu des cités rivales, Jeu du rapt and processions Cortège du sage, Invocation des ancêtres…. Let us start with a Khorovod not very far away from the introduction of the work: The goal being to select 5 to 6 outstanding versions, and to compare then more thoroughly.
The notes given are for our future selection. Spreadsheet with recordings, times and quotes: The final evaluation will retain versions with a quotation at least of 7. Versions quotet 7 are excellent nevertheless. An interesting commentary of conductor Frédéric Chaslin on publishers mistakes 1 — Stokowski — It is a little still, with curiously some approximations.
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Beautiful albab of the Sacrifice, but the pianissimi are a little exaggerated. The introduction shows beautiful tones, but is a little chaotic. The Augures are quite slow and flat, then it is slower, not clean, in short a day without? We almost gave up, but then, there are some urgencies and the whole becomes animated: Afterwards, we are in the great orchestral pyrotechnics of Svetlanov; one can dislike, we adore… allban this time we are not bored!
The end is simply brilliant. That starts badly as for Svetlanov, the Augures miss width and of nerve; separately a percussion well sounding, this time not any awakening as for the previous one; a very musical version nevertheless.
It remains that there are imperfections: The first modern version, i. So, clarity, precision, especially a superb management of time, very beautiful sound recording for the date.
Rafael Pm3 de Burgos. Pedro de freitas Branco. Leonardo Scotti Jacha Horenstein in fact.
Michael Tilson-Thomas – Georg Solti. Facebook LinkedIn Twitter Google. Laisser un commentaire Annuler la réponse Votre adresse de messagerie ne sera pas publiée. Commentaire Nom Adresse de messagerie Site web Prévenez-moi de tous les nouveaux commentaires par e-mail. Nicolas Slonimsky a mis en cause la traduction anglaise des titres donnés aux différentes sections:.
